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Poetry by Carl Selph

Page 13

"But all is changed, that high horse riderless, Though mounted in that saddle Homer rode Where the swan drifts upon a darkening flood." -- W.B.Yeats
 
 

 

 

In Memory of Dylan Thomas

And death shall have no dominion.  
            
            
The larks and horses and holidays brighter
Than snow, and the miners wounded with black
Go on with whatever noise or motion
Over the unfading hills and under
     A sky never grown slack.
      
 
He lived in a larger than our lives' world
In a mad country most men have forgot
And his ear was bent where they hear no tune
But the dry stone and the dusty wind
     And smell the barnlot.
      
 
The traffic rumbled on outside his window
And a lost man coughed beside a door
In a city whose sky is blinded by sharp lights
From the hurtling streets below
     along an earsplitting shore.
      
 
He learned little in life but childhood's wisdom,
Knowledge of the womb, the fairy hills
Full of flowers and mystery, and the amazing
Love giving all and the general world
     Comprehension of their joys and ills.
      
 
And so he came, a voice, and went
Robbing our grief and love of speech,
Leaving us hope of our involvement
With fair,  dark, forces of light,
     And death, and faith in each. 
      
© Carl Selph, 1954 
    First published in The Colorado Quarterly    
     
      
      

Losses

 
 
The losses unforgettable we can't forgive--
known yet unknown, forever fugitive--
engendered by a mouse, by mold -- a war --
by shivering, weetless men feeding a fire,
are splendors that the ancients lived among:
so much of Livy lost, of Sophocles,
the songs we'll never hear that Sappho sung,
the luring, perished Orphic melodies.
      
© Carl Selph, 1993 
    First published in The Lyric
      
      
      
      

The Salesman who Reads Greek

      
 
The salesman who reads Greek, bewildered, vain,
sailed off, when love refused, to show in Rome
his cherished grief, his sample case of pain.
      
 
Finding at Livia's no one at home,
not promenading in the Veneto,
with God a flickering beneath a dome
      
 
and Keats not coughing near the Caffe Greco,
having no one affair and no affairs,
moving each day in a small, eccentric O,
      
 
he left for Greece, since he could pay the fare.
In Athens, standing in his shuttered room,
trying to understand the lucid air,
      
 
ideas like objects hauled up from a tomb
he watched collapse in the light of common day.
He'd sung the Grecian isles until they seemed
      
 
the pale pastels of mid-Victorian ladies.
At last, hope rising with a lover's moon,
he sailed for home -- has but himself to blame
      
 
his Ithaca could not prepare so soon.
A penny buys Penelope's bright fame,
and years ago the gossiping lovers won.
      
 
By the cold hearth now he begs to tell just one
more boring tale of lost love's blinding shame --
Old Argos scratching fleas, the cowardly, pimply son --
      
© Carl Selph, 1964 
    First published in Preview
 
      
      

Calle Refugio

      
 
I am walking up a steep street in the hot sun.  No:
I am trudging, blinded, this too-familiar dirty hill.
      
 
The street is rough.  Better:  The round cobbles
and the broken rocks of this filthy path
assault my brain through my twin soles.
      
 
The sky is so blue I could hate it.
      
 
The clouds are big, white, floating stones.
They are white and gray shattered flint.
      
 
Before this an aged woman spoke to me of her art.
More exact:  I've just been button-holed by a mad harridan
who should have been locked up decades ago.
      
 
It has crossed my mind there's no market for what I'm peddling.
      
© Carl Selph, 1999
       
     

All text on this page is copyrighted by Carl Selph and appears here by permission. All rights reserved. It may not be archived beyond one personal electronic copy for offline reading; such a copy must include the entire text of the present notice and the author's name. It may not be printed, posted on a web-site, distributed publicly or privately, used or quoted in whole or in part, or published in any manner or form whatsoever without the author's explicit permission. E-mail Wordreign to contact Carl Selph and your request will be promptly forwarded.

 

 
 
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